WWW Wednesday is a weekly meme hosted by Sam at Taking on a World of Words.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

What I Recently Finished Reading:

At first, Misha Orlov was the boss who got me pregnant.
But he has become so much more than just that.
He’s my husband and the father of my babies (yes, as in plural).
He’s my pakhan.
He’s my last hope.

Because of all the people in this messed-up world, he’s the only one I can trust to save me.
As bad men loom and my babies prepare to arrive, we’re both faced with a choice.
Can we let go of the pasts that shaped us?
Or will our scars become our undoing?

CHAMPAGNE WRATH is the second and final book of the Orlov Bratva duet. The story begins in Book 1, CHAMPAGNE VENOM.

What I am currently reading:

The next gut-punching, compulsively readable Kate McLaughlin novel, about a girl finding strength in not being alone.

When eighteen-year-old Dylan wakes up, she’s in an apartment she doesn’t recognize. The other people there seem to know her, but she doesn’t know them – not even the pretty, chiseled boy who tells her his name is Connor. A voice inside her head keeps saying that everything is okay, but Dylan can’t help but freak out. Especially when she borrows Connor’s phone to call home and realizes she’s been missing for three days.

Dylan has lost time before, but never like this.

Soon after, Dylan is diagnosed with Dissociative Identity Disorder, and must grapple not only with the many people currently crammed inside her head, but that a secret from her past so terrible she’s blocked it out has put them there. Her only distraction is a budding new relationship with Connor. But as she gets closer to finding out the truth, Dylan wonders: will it heal her or fracture her further?

What books I think I’ll read next:

Beautifully rendered, Where Coyotes Howl is a vivid and deeply affecting ode to the early twentieth century West, from master storyteller Sandra Dallas.

Except for the way they loved each other, they were just ordinary, everyday folks. Just ordinary.

1916. The two-street town of Wallace is not exactly what Ellen Webster had in mind when she accepted a teaching position in Wyoming, but within a year’s time she’s fallen in love—both with the High Plains and with a handsome cowboy named Charlie Bacon. Life is not easy in the flat, brown corner of the state where winter blizzards are unforgiving and the summer heat relentless. But Ellen and Charlie face it all together, their relationship growing stronger with each shared success, and each deeply felt tragedy.

Ellen finds purpose in her work as a rancher’s wife and in her bonds with other women settled on the prairie. Not all of them are so lucky as to have loving husbands, not all came to Wallace willingly, and not all of them can survive the cruel seasons. But they look out for each other, share their secrets, and help one another in times of need. And the needs are great and constant. The only city to speak of, Cheyenne, is miles away, making it akin to the Wild West in rural Wallace. In the end, it is not the trials Ellen and Charlie face together that make them remarkable, but their love for one another that endures through it all.

Amber thought her life was perfect. She was in love with her boyfriend Frankie, had a nice summer job at Taylor’s Book and was enrolled at Marshall University to become a teacher. Everything was on track for the perfect life.

In this spellbinding exploration of the varieties of love, the author of the worldwide bestseller Call Me by Your Name revisits its complex and beguiling characters decades after their first meeting.

No novel in recent memory has spoken more movingly to contemporary readers about the nature of love than André Aciman’s haunting Call Me by Your Name. First published in 2007, it was hailed as “a love letter, an invocation . . . an exceptionally beautiful book” (Stacey D’Erasmo, The New York Times Book Review). Nearly three quarters of a million copies have been sold, and the book became a much-loved, Academy Award–winning film starring Timothée Chalamet as the young Elio and Armie Hammer as Oliver, the graduate student with whom he falls in love.

In Find Me, Aciman shows us Elio’s father, Samuel, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train with a beautiful young woman upends Sami’s plans and changes his life forever.

Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, now a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic.

Aciman is a master of sensibility, of the intimate details and the emotional nuances that are the substance of passion. Find Me brings us back inside the magic circle of one of our greatest contemporary romances to ask if, in fact, true love ever dies.

The anchor of The O’Reilly Factor recounts in gripping detail the brutal murder of John Fitzgerald Kennedy—and how a sequence of gunshots on a Dallas afternoon not only killed a beloved president but also sent the nation into the cataclysmic division of the Vietnam War and its culture-changing aftermath.

In January 1961, as the Cold War escalates, John F. Kennedy struggles to contain the growth of Communism while he learns the hardships, solitude, and temptations of what it means to be president of the United States. Along the way he acquires a number of formidable enemies, among them Soviet leader Nikita Khrushchev, Cuban dictator Fidel Castro, and Allen Dulles, director of the Central Intelligence Agency. In addition, powerful elements of organized crime have begun to talk about targeting the president and his brother, Attorney General Robert Kennedy.

In the midst of a 1963 campaign trip to Texas, Kennedy is gunned down by an erratic young drifter named Lee Harvey Oswald. The former Marine Corps sharpshooter escapes the scene, only to be caught and shot dead while in police custody.

The events leading up to the most notorious crime of the twentieth century are almost as shocking as the assassination itself.